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The website's consensus reads: "Booting up Night City with frenetic action and awe-inspiring visual flair, Edgerunners is an exceptionally stylish anime adaptation of the world Cyberpunk established." [23] Jonathon Wilson wrote for Ready Steady Cut that in "many ways, this is the Cyberpunk story the Cyberpunk game wanted to tell and couldn't."
Mirrorshades: The Cyberpunk Anthology (1986) edited by Bruce Sterling [9] [30] Crystal Express (1989) by Bruce Sterling [9] Patterns (1989) by Pat Cadigan; Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Fiction (1992) edited by Larry McCaffery (contains both fiction and nonfiction) [31] Hackers (1996) by Jack Dann ...
Cyberpunk 2020 version 2.01 ("Features New Artwork" removed from front cover. White lines removed from Cyberpunk logo. White lines removed from Cyberpunk logo. Text changed to "The Classic Roleplaying Game of the Dark Future"), Mike Pondsmith, Colin Fisk, Will Moss, Scott Ruggels, Dave Friedland, Mike Blum (2014) [CP3002.2] - Released in 2014 ...
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Patricia Oren Kearney Cadigan (born September 10, 1953) is a British-American science fiction author, whose work is most often identified with the cyberpunk movement. [1] Her novels and short stories often explore the relationship between the human mind and technology.
He concluded with a recommendation, saying, "A compelling and expressive evocation of a cyberpunk campaign setting, Hardwired is good reading, and the adventures are first class." [ 5 ] Stephan Wieck reviewed Hardwired Sourcebook in White Wolf #21 (June/July 1990), rating it a 5 out of 5 and stated that "The sourcebook is entertaining to read ...
The dystopian role-playing game Cyberpunk was created by Michael Pondsmith and released by R. Talsorian Games in 1988. A second edition titled Cyberpunk 2020 was released in 1990, and one of the sourcebooks released for this edition, Land of the Brave, describes a post-apocalyptic North America similar to the setting for a Mad Max movie. [3]
Cyberpunk is nonetheless regarded as a successful genre, as it ensnared many new readers and provided the sort of movement that postmodern literary critics found alluring. Furthermore, author David Brin argues, cyberpunk made science fiction more attractive and profitable for mainstream media and the visual arts in general. [8]