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Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
Opus 86: Sonata No. 2 for cello solo (1965) Opus 87: The Diary of Love, cantata after S. Vygodski for tenor, boys' chorus and chamber orchestra (1965) Opus 88: The Profile, song cycle after S. Vydodski for bass and piano (1965) Opus 89: String Quartet No. 11 (1965–1966) Opus 90: Words in Blood, song cycle after J. Tuwim for tenor and piano (1965)
The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...
Sonate da camera [10], for solo violin, Op. 2 (Modena, c.1694) Francesco Maria Veracini. 12 Sonatas for recorder or violin solo and basso (no opus number, dedicated to Prince Friedrich August, before 1716, unpublished in the composer's lifetime) 12 Sonatas for violin solo and basso, Op. 1 (dedicated to Prince Friedrich August, 1721)
Violin (original version for solo violin) 60 Variations on the Genoese folksong "Barucabà" (Part I: Tema in A major, with 20 Var. - Part II: Tema in C major, with 20 Var. - Part III: Tema in D major, with 20 Var.) 1835: 14: 71b: Variazioni sul Barucabà (Barucaba variations) Violin / Guitar
The Four Seasons, for Violin solo and string orchestra (pub. 2008) Rhapsody Concertante (on Hungarian and Rumanian themes) for Violin solo and string orchestra (pub. 2008) Poema de amor, for Violin solo and string orchestra (pub.2007) André Jolivet. Violin Concerto (1972)
The Violin Sonata in G minor, GT 2.g05; B.g5, more familiarly known as the Devil's Trill Sonata (Italian: Il trillo del diavolo), is a work for solo violin (with figured bass accompaniment) by Giuseppe Tartini (1692–1770). It is the composer's best-known composition, notable for its technically difficult passages.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...