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In this chromatic transposition, the melody on the first line is in the key of D, while the melody on the second line is identical except that it is a major third lower, in the key of B ♭. In music, transposition refers to the process or operation of moving a collection of notes (pitches or pitch classes) up or down in pitch by a constant ...
Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2]
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In some cases words have entered the English language by multiple routes - occasionally ending up with different meanings, spellings, or pronunciations, just as with words with European etymologies. Many entered English during the British Raj in colonial India. These borrowings, dating back to the colonial period, are often labeled as "Anglo ...
The process has shaped many English words historically. Bird and horse came from Old English bridd and hros; [citation needed] wasp and hasp were also written wæps and hæps. The Old English beorht "bright" underwent metathesis to bryht, which became Modern English bright. The Old English þrēo "three" formed þridda "thrid" and þrēotene ...
The term a prima vista is also used, as Italian words and phrases are commonly used in music and music notation. To play a musical piece a prima vista means to play it 'at first sight'. According to Payne, "the ability to hear the notes on the page is clearly akin to music reading and should be considered a prerequisite for effective ...
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...