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The trumpet parts assume equal importance during the conclusion of the last movement, immediately after the cadenza for piano solo. Years after he wrote the work, Shostakovich recalled that he had initially planned to write a concerto for trumpet and orchestra and then added the piano to make it a double concerto. [1] As he continued writing ...
Pastorale: for Trumpet, Trombone and Piano, (1996) Original version was the middle movement of Ballade, Pastorale and Dance for flute, horn, and piano A Philharmonic Fanfare: for Trumpet, Horn, and Trombone , (1997)
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Op. 2: Concerto for piano and orchestra No. 1 (1961) Op. 14: Concerto for piano and orchestra No. 2 (1974) Op. 48: Concerto for piano and orchestra No. 3 (1985) Op. 50: Concerto for alto saxophone and orchestra (1987) Op. 56: Concerto for piano and orchestra No. 4 (1989) Op. 72: Concerto for piano and orchestra No. 5 (1993)
Op. 3 Das Bächlein; Frühlingsregen (Ludwig August Frankl)Sonntag (Joseph Freiherr von Eichendorff)Op. 4 Wiegenlied (Wilhelm Raabe)Op. 5 Gefunden (Johann Wolfgang von Goethe)
In particular, music written for the piano has frequently undergone this treatment, as it has been arranged for orchestra, chamber ensemble, or concert band. [6] Beethoven made an arrangement of his Piano Sonata No. 9 for string quartet. Conversely, he also arranged his Grosse Fuge (one of his late string quartets) for piano duet.
Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a. Andrés Segovia was famous for his playing arrangements of Bach works transcribed for classical guitar, such as his very difficult Chaconne from the Violin Partita in D minor.
The music is concertante and virtuoso for both the trumpet and the soloist. The first aria and the concluding Alleluja are in the style of an Italian concerto . [ 4 ] Dürr observes that the five movements are in five different musical forms: concerto, monody , variation , chorale fantasia and fugue . [ 2 ]
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