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Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
Skolar (a multi-script font family with Arabic, Cyrillic, Devanagari, Greek, Gujarati and Latin scripts) Skolar Sans (in Arabic, Cyrillic, Greek, Latin) SimSun; Sylfaen (a multi-script serif font family, for various non-Latin scripts and is for the languages Armenian and Georgian) Sutturah (Cyrillic, Latin) Tahoma [6] has a very extensive ...
Bitstream Vera Sans Mono [2] Cascadia Code: Century Schoolbook Monospace: Comic Mono [3] Computer Modern Mono/Typewriter [4] Consolas Class: Humanist : Courier [5] Cousine: DejaVu Sans Mono: Droid Sans Mono [6] Envy Code R [7] Everson Mono [8] Fantasque Sans: Fira Code [9] Fira Mono [10] Fixed: Fixedsys: FreeMono [11] Go Mono [12] Hack [13 ...
Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions.. Digital use of Didot poses challenges. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the ...
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Actual font is the digital Bodoni Monotype published in 1999. Bodoni (/ b ə ˈ d oʊ n i /, Italian:) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [1] [2] Bodoni's typefaces are classified as Didone or modern.
Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns – a most important element in legibility and easy reading."
A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.
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