Search results
Results from the WOW.Com Content Network
Some authors of English-language Go materials avoid use of Japanese technical terms, and the way they are applied can differ in subtle ways from the original meanings. A few Korean-language terms have come into use (e.g., haengma as a way of describing the development of stones).
Another group, the Strangers provided backing for solo singers who appeared on The Go!! Show and also performed their own material, which was released on the Go!! label. The Strangers' lead guitarist John Farrar produced and wrote material for Olivia Newton-John, including for the films Grease (1978) and Xanadu (1980). Go!! Records like The GO!!
Live video of the games and associated commentary was broadcast in Korean, Chinese, Japanese, and English. Korean-language coverage was made available through Baduk TV. [65] Chinese-language coverage of game 1 with commentary by 9-dan players Gu Li and Ke Jie was provided by Tencent and LeTV respectively, reaching about 60 million viewers. [66]
One look at the warning labels on certain products will tell you that there is an overtly desperate and ongoing attempt to save us from ourselves. Someone somewhere somehow did the ridiculous and ...
The simple ko rule generally requires the inclusion of additional rules to handle other undesirable repetitions (e.g. long cycles which can lead to no result where the game must be replayed). The first position below is an example of a triple ko, taken, with minor changes, from Ikeda Toshio's On the Rules of Go. [40]
Go! Discs was a London-based record label, launched in 1983 from offices in Wendell Road, Shepherd's Bush , by Andy Macdonald and Lesley Symons. The pair founded the label after Macdonald left his job as press officer at Stiff Records , and Symons provided the seed funding.
Lasker's book Go and Go-moku (1934) helped spread the game throughout the U.S., [97] and in 1935, the American Go Association was formed. Two years later, in 1937, the German Go Association was founded. World War II put a stop to most Go activity, since it was a popular game in Japan, but after the war, Go continued to spread. [98]
Touch and Go: The Complete Hardcore Punk Zine '79–'83 is a 576-page trade paperback book containing all 22 issues of the Touch and Go zine.. The book consists of the writings of Tesco Vee and Dave Stimson - the founders and designers of the Touch and Go zine - which eventually evolved into Touch and Go Records, owned by Corey Rusk.