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Ñ, or ñ (Spanish: eñe, ⓘ), is a letter of the modern Latin alphabet, formed by placing a tilde (also referred to as a virgulilla in Spanish, in order to differentiate it from other diacritics, which are also called tildes) on top of an upper- or lower-case n . [1]
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n, an amount of substance in chemical physics; n, the coordination number of a substance; n-, a lowercase prefix in chemistry denoting the straight-chain form of an open-chain compound in contrast to its branched isomer; N-, an uppercase prefix in chemistry denoting that the substituent is bonded to the nitrogen, as in amines
The premiere of "Canción sin miedo" by Mon Laferte, Vivir Quintana, and the "El Palomar" women's choir, Mexico City, March 7, 2020.[1]"Canción sin miedo" ("Song without fear" in Spanish) is a regional Mexican song by Mexican composer and singer Vivir Quintana, first performed on March 7, 2020.
The voiced velar nasal, also known as eng, engma, or agma (from Greek ἆγμα âgma 'fragment'), is a type of consonantal sound used in some spoken languages.It is the sound of ng in English sing as well as n before velar consonants as in English and ink.
"Las cosas que no me espero" Cover of the Spanish version of the song, featuring Carlos Baute " Le cose che non mi aspetto " (English: The things that I don't expect ) is a song recorded by Italian singer Laura Pausini and produced by Paolo Carta, released in May 2012 as the fifth single from Pausini's 2011 studio album Inedito .
Faraón described himself as El Dios del Trap ("The God of Trap") [1] and El Dios de la Versatilidad ("The God of Versatility"). [2] His fans are known as the "híbrido gang". His videos show him with different necklaces that attract the attention of the public, including many mocking reactions. [5]
Obscuro; Obikhod – a collection of liturgical chants used by the Russian Orthodox Church; tends to be polyphonic.; Oi! – 1980s style of British punk rock. Old-school hip hop – a term for hip hop music recorded before approximately 1984; this style tended to have simpler rapping techniques with lyrics that generally focused on party-related subject matter, resulting in songs that are much ...