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Francisco Ulloa is a famous merengue accordionist, specializing in merengue típico. [1] He is known for his skill and improvisation technique on the accordion, and started his career around the same time as Tatico Henriquez, which some consider to be the godfather of merengue tipico, in the 1970s.
Vencer el desamor (English: Overcoming Heartbreak) [2] is a Mexican telenovela that aired on Las Estrellas from 12 October 2020 to 19 February 2021. [3] [4] [5] The series is produced by Rosy Ocampo. [3]
Vencer la ausencia (English: Overcoming Loss) [2] is a Mexican telenovela that aired on Las Estrellas from 18 July 2022 to 4 November 2022. [3] The series is produced by Rosy Ocampo and is the fourth production of the " Vencer " franchise.
"La ambición lleva a Julio a dar un paso en falso que pone en riesgo su vida" 24 June 2016 () 10.0 [38] 32 "Misión exitosa, gracias a Belky, el Ejército rescata a Yolima y Tatiana" 27 June 2016 () 10.3 [39] 33 "Belky se convierte en la nueva asistente del doctor Montealegre" 28 June 2016 () 10.9 [40] 34
Ni contigo ni sin ti performed by Pepe Aguilar [1] Ending theme: Eres performed by Alessandra Rosaldo [2] Country of origin: Mexico: Original language: Spanish: No. of episodes: 130 [3] Production; Executive producer: Mapat L. de Zatarain: Producer: Marco Vinicio López de Zatarain: Production locations: Filming Televisa San Ángel Mexico City ...
Si Dios me quita la vida (English title: If God takes away my life) is a Mexican telenovela produced by Pedro Damián and Juan Osorio for Televisa in 1995. [1] This is a remake of the 1961 telenovela La leona starred by Amparo Rivelles and Ernesto Alonso .
Mariana Cantú and Silvana Del Valle are twin sisters who were separated on the day of their birth. Mariana stayed with her biological mother, a modest seamstress named Rocio Cantu, her grandmother Doña Pura and her aunt Helena who, despite having all the difficulties, are very united and happy.
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]