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Traditional Chinese house architecture refers to a historical series of architecture styles and design elements that were commonly utilized in the building of civilian homes during the imperial era of ancient China. Throughout this two-thousand-year-long period, significant innovations and variations of homes existed, but house design generally ...
The Chinese house was a cosmic space. The house was designed as a shelter to foil evil influences by channeling cosmic energies by respecting feng shui. Depending on the season, astral cycle, landscape, and the house's design, orientation, and architectural details, some amount of energy would be produced.
The neo-Chinese style fashion gained popularity in the 2020s, reflecting the younger Chinese generation's identification and confidence with Chinese culture. [10] New Chinese style is widely used in a variety of occasions, from casual to formal. This mix-and-match style allows the wearer to display classical elegance and an avant-garde sense of ...
Paifang come in a number of forms. One form involves placing wooden pillars onto stone bases, which are bound together with wooden beams. This type of paifang is always beautifully decorated, with the pillars usually painted in red, the beams decorated with intricate designs and Chinese calligraphy, and the roof covered with coloured tiles, complete with mythical beasts—just like a Chinese ...
The Chen Clan Ancestral Hall in Guangzhou is widely considered a good example of classical Lingnan architecture.. Lingnan architecture (Chinese: 嶺南建築; Jyutping: Ling 5 naam 4 gin 3 zuk 1), or Cantonese architecture, refers to the characteristic architectural style(s) of the Lingnan region – the Southern Chinese provinces of Guangdong and Guangxi.
The four buildings of a siheyuan are normally positioned along the north–south and east–west axis. The building positioned to the north and facing the south is considered the main house (正房, zhèngfáng). The buildings adjoining the main house and facing east and west are called side houses (廂房, xiāngfáng).
The first thing to understand about New Chinese Design is that it is foremost a design reform movement. Ideologically guided, it has been responsible for an extraordinary renaissance within Chinese furniture design, the first green shoots of which began to emerge in isolation with the designs of Samuel Chan in Britain during the late 1980s. [4]
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.