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Iranian Intermezzo, [2] or Persian Renaissance, [3] was a period in Iranian history which saw the rise of various native Iranian Muslim dynasties in the Iranian Plateau, after the 7th-century Arab Muslim conquest and the fall of the Sasanian Empire.
Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
1.2 Modern/traditional. 1.3 Western classical / Persian symphonic. 2 Pop. ... Iranian pop music; Iranian hip hop; References This page was last edited on 3 ...
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, [1] [2] [3] refers to the classical music of Iran (historically known as Persia). It consists of characteristics developed through the country's classical, medieval, and contemporary eras.
In music, an intermezzo (/ ˌ ɪ n t ər ˈ m ɛ t s oʊ /, Italian pronunciation: [interˈmɛddzo], plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work.
The term Iranian Intermezzo [b] represents a period in Middle Eastern history that saw the rise of various native Iranian Muslim dynasties on the Iranian Plateau. This term is noteworthy since it was an interlude between the decline of Abbasid rule and the eventual emergence of the Seljuk Turks in the 11th century. The Iranian revival consisted ...
The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry. There is also a very vibrant Iranian modern and contemporary art scene, as well as
Analysis of more than fifty improvisations and pieces of composed music shows that the rhythmic organisation of gūsheh-ha and of musical genres in free metre, stretchable metre or fixed metre may be influenced by Persian poetic metres. [1] Music-related manuscripts from the twelfth to fifteenth centuries CE provide an opportunity to compare ...