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Cootie Williams topped the final Harlem Hit Parade chart with "Somebody's Gotta Go". At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem " under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African ...
[4] [5] It served as The Billboard ' s lead chart until the introduction of the Hot 100 in 1958 and would remain in print until 1963. [ 6 ] Note: In the issues dated February 10, April 14, May 5, and November 17, The Billboard reported a tie for the number-one single on one of its charts.
For each Year in Music (beginning 1940) and Year in Country Music (beginning 1939), a comprehensive Year End Top Records section can be found at mid-page (popular), and on the Country page. For the United States, charts are compiled from data published by Billboard magazine, using their own formulas with slight modifications.
The Concerto in D major for Oboe and Small Orchestra, AV 144, TrV 292, was written by Richard Strauss in 1945.It was one of the last works he composed near the end of his life, during what is often described by biographers, journalists and music critics as his "Indian summer."
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Confirmation is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths (see Bird changes). Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm ...
Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...
1910–1945 Unknown: Franz Eckert — South Korea "Aegukga" "Patriotic Song" 1945–1948 Unknown: Unknown [note 22] Kuwait "As-salām al-amīrī" [trans 35] "Amiri Salute" 1951–1978 None (instrumental) Yusuf Adees — [note 23] Laos "Pheng Xat Lao" [trans 36] "Anthem of the Lao people" 1951–1975 Maha Phoumi: Thongdy Sounthonevichit [note 24 ...