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A native of New York City, Fleck was named after the Hungarian composer Béla Bartók, the Austrian composer Anton Webern, and the Czech composer Leoš Janáček. [4] He was drawn to the banjo at a young age when he heard Earl Scruggs play the theme song for The Beverly Hillbillies television show [5] and when he heard "Dueling Banjos" by Eric Weissberg and Steve Mandell on the radio.
The Impostor is a concerto for Banjo and Orchestra written by Béla Fleck. Fleck premiered the concerto on September 22, 2011, with the Nashville Symphony (Giancarlo Guerrero conducting) in the Schermerhorn Symphony Center in Nashville. [1] It was recorded over the course of three live performances and released on the eponymous album The ...
Writing for Country Standard Time, Rick Bell commented: "On the jacket of his 1979 solo debut... a 20-year-old Bela Fleck is laughing as if there's an inside joke no one else gets. Fleck... knew the punchline. With the release of this record some 26 years ago, Fleck's immense talent quickly became an inside joke no more." [7]
Natural Bridge is an album by American banjoist Béla Fleck, released in 1982.Bela Fleck was a young bluegrass musician whose work with such bands as Spectrum and the New Grass Revival pushed the envelope of bluegrass tradition and contributed to the development of the New Acoustic movement spearheaded by mandolinist David Grisman, guitarist Tony Rice, and others.
Sydney Morning Herald said "With the inclusion of renowned banjo player Bela Fleck, the gifted Hammond organ playing of Joey DeFrancesco and Richard Bona’s bass – the result is a successful interplay, and often joyous push-pull between elements. Displaying his now-legendary skills as an oud player – diving in and out of heroic, Slash-like ...
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Tabula Rasā is a collaborative album by American banjoist Béla Fleck together with Vishwa Mohan Bhatt (playing traditional Indian slide guitar "Mohan veena") and Jie-Bing Chen, who plays the traditional Chinese two-string fiddle erhu.
Left of Cool is the first album to feature Jeff Coffin, who had already toured with the band after the departure of Howard Levy.The album cover depicts Future Man, Béla Fleck, and Victor Wooten standing on Coffin's head.
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