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Immediacy also possesses characteristics of both of the homophonic heterographs 'immanent' and 'imminent', and what entails to both within ontology. Immediacy also relates to the philosophy of phenomenology , as they are schools of thought which both concern subjective perceptions of objects and time.
Considerations of the ways the self is involved in processes of mediation and remediation enable an examination of the effect of the desire for immediacy within media. Bolter and Grusin assert that "instead of trying to be in the presence of the objects of representation, the subject now defines immediacy as being in the presence of media". [28]
Summaries of the narratives (plots) of works of fiction are conventionally presented using the present tense, rather than the past tense. At any particular point of the story, as it unfolds, there is a now and so a past and a future, so whether some event mentioned in the story is past, present, or future, changes as the story progresses.
Immediacy, a concept in vested interest (communication theory) Immediacy, a condition in the Buddhist Twelve Nidānas; Immediacy (philosophy), a philosophical concept; Immediacy, one of the 10 principles of the Burning Man event; Imperial immediacy, in the Holy Roman Empire, the status of persons not subject to local lords but only to the emperor
Social presence theory explores how the "sense of being with another" is influenced by digital interfaces in human-computer interactions. [1] Developed from the foundations of interpersonal communication and symbolic interactionism, social presence theory was first formally introduced by John Short, Ederyn Williams, and Bruce Christie in The Social Psychology of Telecommunications. [2]
Instead there are breaks in space; the eye progresses into depth by a succession of jumps; distance is expressed by planes overlapping each other and by atmospheric rather than linear perspective- by softening the focus and changes of color.” [7] The sense of immediacy is heightened by the juxtapositions of the cliff and sea, the contrast ...
Meanwhile, Nick’s fight club sequences go handheld to increase intimacy and immediacy, delivering a stinging sense of raw pathos. Banks and Broome’s commitment to the bit goes a long way in ...
The clothing of a blue robed man appears to flow in and out of darks and lights. Overall, the effect creates a sense of immediacy, the here and the now. There is a feeling of chaos and haphazard organization. Figures are cut out of the picture maintaining a feeling of quick movement, a sense of time, emphasizing the effect of disorganization.