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From 2007 to 2011, Migliazza produced an annual dueling boogie woogie piano event in Tucson, called The Booginator with Eric-Jan Overbeek (aka Mr. Boogie Woogie). [ 20 ] [ 21 ] [ 22 ] In 2011, Migliazza teamed up with former Chuck Berry piano player Bob Baldori , to perform Baldori's original stage play about the history of Boogie Woogie music ...
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. [1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel.
Huey "Piano" Smith (1934–2023), "Rockin' Pneumonia and the Boogie Woogie Flu", also accompanist on Frankie Ford's "Sea Cruise" Pinetop Smith (1904–1929), "Pine Top's Boogie Woogie" in 1929 was the first boogie-woogie hit and popularized the name for the style; Charlie Spand (1893–after 1958)
Ladyva started playing the piano when she was 14. She was inspired by the music of the great masters of boogie woogie. Two years later she began performing, together with her brother Pascal Silva. [5] In 2014, Ladyva appeared at several boogie woogie festivals in Germany. [6]
Brendan Kavanagh (born October 1967 [2] [3]), also known as "Dr K" due to his PhD in English, is a British pianist and piano teacher of Irish descent.He specializes in playing and promoting the boogie-woogie genre, almost exclusively improvised, often combined with classical, jazz, blues, rock & roll, and traditional Irish music themes.
His showmanship was as recognized as his piano playing, [29] [30] and he was known to favor wearing a pea-green dinner jacket. [31] His performance style is said to have influenced Little Richard and Jerry Lee Lewis. [1] Critic Peter Silvester describes Rocco's boogie-woogie style as "technically slick" but "devoid of genuine boogie-woogie tone ...
His performance at John Hammond's historic From Spirituals to Swing concert at Carnegie Hall in 1938 brought Lewis to public attention. [2] Following the event, Lewis and two other performers from that concert, Albert Ammons and Pete Johnson, often appeared as a trio and became the leading boogie-woogie pianists of the day. [4] [2]
Johnson was a boogie-woogie pianist in Kansas City, who in the early 1930s had developed a partnership with Turner, who was working at the time as a club bartender.The two would regularly perform as a duo at the clubs where Turner worked, with Turner shouting blues rhymes over Johnson's piano playing. [7]
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