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Appalachian Spring is an American ballet created by the choreographer Martha Graham and the composer Aaron Copland, later arranged as an orchestral work.Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet music for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi.
Appalachian Spring; ballet (1944) Arrangement of Appalachian Spring for orchestra (1944) Letter from Home for orchestra (1944, revised in 1962) Midday Thoughts for piano (1944/82) Jubilee Variations for orchestra (1945) The Cummington Story; film score (1945) Symphony No. 3 for orchestra (1946) Arrangement of Danzón cubano for orchestra (1946)
Connotations is scored for full symphony orchestra with augmented percussion. The complete ensemble includes piccolo, three flutes (third flute doubling second piccolo), two oboes, cor anglais, two clarinets, E-flat clarinet, bass clarinet, three bassoons (third bassoon doubling contrabassoon), six horns, four trumpets, four trombones, tuba, tympani, five percussionists (glockenspiel ...
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.
The Red Pony is a film score composed for Lewis Milestone's 1949 production which used John Steinbeck's screenplay based on his 1937 book, The Red Pony.It was composed by Aaron Copland in 1948 at Republic Pictures [1] and an LP was issued of the soundtrack.
Symphony No. 3 was Aaron Copland's final symphony. It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky .
The orchestra is divided into four groups (five if a keyboard instrument is used) and specified as follows: [1] Woodwind instruments: flutes, oboes, clarinets, saxophones (if one or more are needed), bassoons
The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer ...