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The I−vi−ii−V chord progression occurs as a two-bar pattern in the A section of the rhythm changes, [8] the progression based on George Gershwin's "I Got Rhythm". It can be varied as well: according to Mark Levine, "[t]oday's players usually play a dominant 7th chord rather than a minor 7th chord as the VI chord in a I-VI-II-V." [5]
All Blues. " All Blues " is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6. 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G ...
The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording.
English traditional carol. Meter. 7.6.8.6 with refrain. "The Holly and the Ivy" with piano accompaniment by Cecil James Sharp (1911) " The Holly and the Ivy " is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect ...
"My Country, 'Tis of Thee", also known as simply "America", is an American patriotic song, the lyrics of which were written by Samuel Francis Smith. [2] The song served as one of the de facto national anthems of the United States (along with songs like "Hail, Columbia") before the adoption of "The Star-Spangled Banner" as the official U.S. national anthem in 1931. [3]
Download as PDF; Printable version; In other projects ... 3-12: 0 4 8: Augmented Augmented ... 0 4 8 e 6: Augmented Major sixth chord:
Melody. "Nettleton" by John Wyeth. " Come Thou Fount of Every Blessing " is a Christian hymn written by the pastor and hymnodist Robert Robinson, who penned the words in the year 1758 at the age of 22. [1][2] Come, Thou Fount of every blessing, Tune my heart to sing Thy grace; Streams of mercy, never ceasing,
The opening chords and cadence of what would become "Grow Old With Me" can clearly be heard in Take 2 of "Memories." [11] What would become the descending ending chords of "Grow Old With Me" can also first be heard on that take. Lennon also sang part of the same melody to the lyrics of "Watching the Wheels" in that song's early stages of ...
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