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Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
The khăn rằn (From Vietnamese: khăn, 'towel, scarf', and rằn, 'striped'; Chữ Nôm: 䘜吝) is a traditional checkered black and white scarf which has been adapted from the Cambodian krama. [1] It is a traditional scarf worn in the region of Mekong Delta in Vietnam. [2]
Designer Le Si Hoang is a celebrity in Vietnam and his shop in Ho Chi Minh City is the place to visit for those who admire the dress. [25] In Hanoi, tourists get fitted with áo dài on Luong Van Can Street. [29] The elegant city of Huế in the central region is known for its áo dài, nón lá (lit. ' traditional leaf hat '), and well-dressed ...
Chinese clothing in the form of trousers and tunic were mandated by the Nguyễn dynasty. As late as the 1920s, in Vietnam's north area in isolated hamlets skirts were still worn. [15] Ming, Tang, and Han dynasty-styled clothing was ordered to be adopted by Vietnamese military and bureaucrats by the Nguyễn lord Nguyễn Phúc Khoát. [16]
Two of the most well-known Vietnamese traditional genres are: Imperial Court music: When referring specifically to the "Nhã nhạc" form it includes court music from the Trần dynasty on to the Nguyễn dynasty. It is an elaborate form of music which features an extensive array of musicians and dancers, dressed in extravagant costumes.
History does not provide records of the development of armour in Bronze Age and Iron Age Vietnam. Physical relics are the only source for studying the origins of the practice. The most common type found in Northern Vietnam is mirror armour, which is a square or rectangular metal or wooden plate fastened to the warrior's chest. This type of ...
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
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