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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
One example of a white-ground lekythos by the Thanatos Painter is a vase in the Art Walters Museum (440–430 BCE). [3] The women are mourning over a deceased family member. There is a male figure approaching from the right side of the lekythos that is unseen by the women. He is a representation of the deceased family member. [3]
The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique. Styles such as West Slope Ware were characteristic of the subsequent Hellenistic period , which saw vase painting's decline.
Visit to a tomb on a white-ground lekythos by the Reed Painter. The Reed Painter (fl. 420s–410s BC) is an anonymous Greek vase painter of white-ground lekythoi, a type of vessel for containing oil often left as grave offerings.
John Boardman sees connections to Ionian art in the painter's work, suggesting that he may have been an immigrant from East Greece. [3] Dietrich von Bothmer also notes that the earliest instances of the use of a white ground in vase painting occur in the Andokides Painter's scenes, perhaps indicating that he should be credited additionally with ...
White ground technique lekythos attributed to the Sappho Painter depicting Achilles watching out for Polyxena. Louvre, Paris. Sappho Painter was an Attic black-figure vase painter, active c. 510–490 BCE. [1] The artist's name vase is a kalpis depicting the poet Sappho, currently held by the National Museum, Warsaw (Inv. 142333).
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