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Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The Lorne Jewels, part of the Secondary Honours of Scotland, were gifted to the nation in the 1930s by Princess Louise, Duchess of Argyle. The jewels consist of a single necklace with a pendant and a locket that was made in London in the 1870s and was a gift from the 9th Duke of Argyll to his soon-to-be wife. It consists of a chain made of ...
A Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
Victorian web, gallery of "Victorian Jewelry: Celtic Revival Work in Ireland" Treasures of early Irish art, 1500 B.C. to 1500 A.D. , an exhibition catalogue from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Penannular brooches (cat. no. 40, 41, 42, 46–52)
Bronze 4th-century BC buffer-type torc from France The Dying Gaul, a Roman statue with a torc in the Capitoline Museums in Rome. A torc, also spelled torq or torque, is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together.
The Jewels of the Order of St Patrick, commonly called the Irish Crown Jewels, were the heavily jewelled badge and star created in 1831 for the Grand Master of the Order of St Patrick, an order of knighthood established in 1783 by George III to be an Irish equivalent of the English Order of the Garter and the Scottish Order of the Thistle.
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