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A variation of Bodoni designed by Matthew Carter, called "Stilson" (originally "Postoni" during its period of exclusivity), is the primary headline font for The Washington Post newspaper. [ 31 ] Bodoni was the favorite typeset of Ted Hughes , UK Poet Laureate , 1984–1998.
Miller is a serif typeface, released in 1997 by the Font Bureau, a U.S.-based digital type foundry. [1] It was designed by Matthew Carter and is of the 'transitional' style from around 1800, based on the "Scotch Roman" type which originates from types sold by Scottish type foundries that later became popular in the United States.
Custom font for the 1995 rebranding, designed by the Foundry (Freda Sack and David Quay) Metron: Prague Metro: Created in 1973 by Jiří Rathouský: Moscow Sans: Public transport and wayfinding in Moscow since 2015: Custom font family by Scott Williams and Henrik Kubel (A2-TYPE) in collaboration with Ilya Ruderman (CSTM Fonts) Motorway
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
The Washington Post, locally known as The Post and, informally, WaPo or WP, is an American daily newspaper published in Washington, D.C., the national capital. It is the most widely circulated newspaper in the Washington metropolitan area [ 5 ] [ 6 ] and has a national audience.
The Washington Post; Usage on cy.wikipedia.org The Washington Post; Usage on da.wikipedia.org The Washington Post; Usage on de.wikipedia.org The Washington Post; Benutzer Diskussion:TheAmerikaner/Ausrufer; Usage on de.wikinews.org Benutzer:TheAmerikaner; Usage on el.wikipedia.org The Washington Post; Usage on eml.wikipedia.org The Washington Post
Matthew Carter CBE RDI (born 1 October 1937) is a British type designer. [1] [2] A 2005 New Yorker profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used typefaces.
In addition, if all caps must be used it is customary to slightly widen the spacing between the letters, by around 10 per cent of the point height. This practice is known as tracking or letterspacing. [8] Some digital fonts contain alternative spacing metrics for this purpose. [9]