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The mixed re-recording was created by students who played the sound of the word "laurel" while re-recording the playback amid background noise in the room. [4] The audio clip of the main word "laurel" originated in 2007 from a recording of opera singer Jay Aubrey Jones, [5] who spoke the word "laurel" [6] as one of 200,000 reference pronunciations produced and published by vocabulary.com in 2007.
Stream ripping (also called stream recording) is the process of saving data streams to a file. The process is sometimes referred to as destreaming.. Stream ripping is most often referred in the context of saving audio or video from streaming media websites and services such as YouTube outside of the officially-provided means of offline playback (if any) using unsanctioned software and tools.
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The Betty Everett version was released in the summer of 1964 as the follow-up to her top ten song "The Shoop Shoop Song".Robert Pruter in his book Chicago Soul describes "I Can't Hear You" as a "surprisingly weak [song] for Goffin-King that did not give the Vee Jay [Records] staff [musicians] much to work with" and dismisses Everett's single with its number 39 R&B chart (as reported in Cash ...
youtube-dl <url> The path of the output can be specified as: (file name to be included in the path) youtube-dl -o <path> <url> To see the list of all of the available file formats and sizes: youtube-dl -F <url> The video can be downloaded by selecting the format code from the list or typing the format manually: youtube-dl -f <format/code> <url>
"I Can't Get Next to You" is a 1969 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing " Sugar, Sugar " by the Archies and replaced by " Suspicious Minds " by ...
"I Can't Go for That (No Can Do)" is a song by American duo Hall & Oates. Written by Daryl Hall, John Oates and Sara Allen, the song was released as the second single from their tenth studio album, Private Eyes (1981). The song became the fourth number one hit single of their career on the Billboard Hot 100. It features Charles DeChant on ...