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2. List of serif typefaces - Wikipedia

   en.wikipedia.org/wiki/List_of_serif_typefaces

   This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and printing. List of samples

3. Arno (typeface) - Wikipedia

   en.wikipedia.org/wiki/Arno_(typeface)

   Arno is an old-style serif font, drawing inspiration from a variety of 15th and 16th century typefaces. [4] Slimbach has described the design as a combination of the period's Aldine and Venetian styles, with italics inspired by the calligraphy and printing of Ludovico degli Arrighi .

4. Montserrat (typeface) - Wikipedia

   en.wikipedia.org/wiki/Montserrat_(typeface)

   The project was started in 2010 by Ulanovsky [2] and was released through the Google Fonts catalogue in 2011. Montserrat has become increasingly popular among web designers, and it is used on over 17 million websites. [3] Featuring a large x-height, short descenders and wide apertures, this typeface achieves high legibility even in small sizes.

5. List of typefaces - Wikipedia

   en.wikipedia.org/wiki/List_of_typefaces

   The vast majority of modern computer fonts use Unicode mappings, even those fonts which only include glyphs for a single writing system, or even only support the basic Latin alphabet. The distinction is historic: before Unicode, when most computer systems used only eight-bit bytes , no more than 256 characters (or control codes) could be encoded.

6. List of monospaced typefaces - Wikipedia

   en.wikipedia.org/wiki/List_of_monospaced_typefaces

   Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace

7. Bauhaus (typeface) - Wikipedia

   en.wikipedia.org/wiki/Bauhaus_(typeface)

   The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.

8. Clarendon (typeface) - Wikipedia

   en.wikipedia.org/wiki/Clarendon_(typeface)

   A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.

9. Utopia (typeface) - Wikipedia

   en.wikipedia.org/wiki/Utopia_(typeface)

   Andreas Nolda added proportional figures and a stylistic set with longer slashes, matching the parentheses in height and depth to Lingua Franca OpenType and Web Open Font Format fonts. In 2016 Stefan Peev [13] created Linguistics Pro font family [14] as a fork of Nolda's Utopia Nova. Linguistics Pro contains two models of Cyrillic glyphs.