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Arno is an old-style serif font, drawing inspiration from a variety of 15th and 16th century typefaces. [4] Slimbach has described the design as a combination of the period's Aldine and Venetian styles, with italics inspired by the calligraphy and printing of Ludovico degli Arrighi .
This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and printing. List of samples
Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
Calibri is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. [7] All start with the letter C to reflect that they were designed to work well with Microsoft's ClearType text rendering system, a text rendering engine designed to make text clearer to read on liquid-crystal display monitors.
The image illustrates the limits of Baskerville's type's popularity, since they apparently felt the need to cut a copy of Caslon's type also, although the book is set in Baskerville-style type. [citation needed] The following foundries offered versions of Baskerville:
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Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]
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