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  2. Blue for You - Wikipedia

    en.wikipedia.org/wiki/Blue_for_You

    Blue for You is the ninth studio album by English rock band Status Quo. It was released in March 1976, and is the last album until 1980's Just Supposin' that the band produced themselves. Rick Parfitt 's " Rain ", the first single from the album, reached number 7 in the UK Singles Chart after its release in February 1976.

  3. David Maxwell (musician) - Wikipedia

    en.wikipedia.org/wiki/David_Maxwell_(musician)

    David Maxwell (March 10, 1943 [1] – February 13, 2015) [2] was an American blues pianist, songwriter, and singer.. Over his lengthy career, Maxwell variously worked with Louisiana Red, Muddy Waters, Skip James, Bonnie Raitt, John Lee Hooker, James Cotton, Levon Helm, Buddy Guy, Jimmy Rogers, Charlie Musselwhite, Johnny Adams, Ronnie Earl, Freddie King and Hubert Sumlin. [2]

  4. For You Blue - Wikipedia

    en.wikipedia.org/wiki/For_You_Blue

    "For You Blue" is a song by the English rock band the Beatles from their 1970 album Let It Be. The track was written by George Harrison as a love song to his wife, Pattie Boyd . It was also the B-side to the " Long and Winding Road " single, issued in many countries, but not Britain, and was listed with that song when the single topped the US ...

  5. Johnnie Johnson (musician) - Wikipedia

    en.wikipedia.org/wiki/Johnnie_Johnson_(musician)

    Johnson was the subject of a Homespun Tapes piano instructional video, The Blues/Rock Piano of Johnnie Johnson: Sessions with a Keyboard Legend. Originally released in 1999 (a DVD was issued in 2005), the video is hosted by David Bennett Cohen , along with Johnson's band, featuring guitarist Jimmy Vivino .

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    mail.aol.com

    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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