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Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]
The feminine beauty ideal is a specific set of beauty standards regarding traits that are ingrained in women throughout their lives and from a young age to increase their perceived physical attractiveness. It is experienced by many women in the world, though the traits change over time and vary in country and culture. [1]
The eternal feminine, a concept first introduced by Johann Wolfgang von Goethe at the end of his play Faust (1832), is a transcendental ideality of the feminine or womanly abstracted from the attributes, traits and behaviors of a large number of women and female figures.
However, the feminine traits people are attracted to vary. “Some gynosexual individuals may be drawn to the physical aspects of femininity, such as feminine features or expressions of femininity ...
A great deal of writing has been done on the subject. The subject of the Ideal Woman has been treated humorously, [9] [10] theologically, [11] and musically. [12] Examples of "ideal women" are portrayed in literature, for example: Sophie, a character in Jean-Jacques Rousseau's Emile: or, On Education (book V) who is raised to be the perfect ...
The importance of feminine beauty in China has been deeply ingrained into the culture: historically, a woman's livelihood was often determined by her ability to find an eligible husband, a feat aided by fitting into the cultural ideals of beauty. [2] Black hair that is long, thick and shiny is seen as particularly beautiful among Chinese women.
Women are viewed as less competent when they showcase "non-feminine" traits and are not taken seriously. These women don't brag about their accomplishments and feel guilty for being able to go beyond stereotypes of feminine emotion and thought in order to become masculine in their jobs, just to be successful or try to be equal to men.
Furthermore, essentialist definitions of “woman” reinforce the oppressive requirement for women to live up to “an innate ‘womanhood’ they will be judged by.” [4] Alice Echols stated that cultural feminists believe in order to combat “male lasciviousness,” women should demand respect by repressing their sexualities and proposing ...