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The main symbol of the Viking Age is the Viking ship. Not only was it used as a war and trade vessel, it demonstrated true individual design and art. An example of this comes from a ship burial in Norway, near the sea at Oseberg. Over 70 feet long, it held the remains of two women and many precious objects that were probably removed by robbers ...
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
The "Halfdan inscription" - 2014 Transcription of the recognizable Halfdan runes. The first runic inscription was discovered in 1964 on a parapet on the top floor of the southern gallery, and the discovery was published by Elisabeth Svärdström in "Runorna i Hagia Sofia", Fornvännen 65 (1970), 247–49.
The first mention of a Viking force carrying a raven banner is in the Anglo-Saxon Chronicle. For the year 878, the Chronicle relates: In the winter of the same year, the brother of Ivar and Halfdan landed in Devonshire , Wessex , with 23 ships, and he was killed there along with 800 other people and 40 of his soldiers.
Jomsborg or Jómsborg (German: Jomsburg) was a semi-legendary Viking stronghold at the southern coast of the Baltic Sea (medieval Wendland, modern Pomerania), that existed between the 960s and 1043. Its inhabitants were known as Jomsvikings .
The Galloway Hoard, currently held in the National Museum of Scotland, is a hoard of more than 100 gold, silver, glass, crystal, stone, and earthen objects from the Viking Age, discovered in the historical county of Kirkcudbrightshire in Dumfries and Galloway in Scotland, in September 2014.
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The following images depict the 10th-century Gosforth Cross and related artefacts at St Mary's church. The images were published by Finnur Jónsson in Goðafræði Norðmanna og Íslendinga eftir Heimildum in 1913, and the identifications of the figures are those suggested by Jónsson in 1913.