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The slide images were too small for unaided viewing, and required enlargement by a projector or enlarging viewer. Photographic film slides and projectors have been replaced by image files on digital storage media shown on a projection screen by using a video projector, or displayed on a large-screen video monitor.
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
Film scanners can accept either strips of 35 mm or 120 film, or individual slides. Low-end scanners typically only take 35mm film strips, while medium- and high-end film scanners often have interchangeable film loaders. This allows the one scanning platform to be used for different sizes and packaging.
The film was loaded into 35mm film canisters for still photography use, and the company returned an unexposed roll with each order. In the 1980s, Seattle FilmWorks aggressively marketed its products and services and offered two rolls of Seattle FilmWorks film for US$2.00. It advertised in newspapers, magazines, and package inserts.
The optical slide camera could be used to create a number of types of slides and special effects commonly used in multi-image presentations: Duplicates: copies of transparencies; Copy slides: slides made by top-light copying of artwork or illustrations; Title burns: made by making multiple exposures through a series of mattes, such as text slides
For general consumers, slides were replaced with technologies such as video camcorders and photo CDs (bundled with a set of prints). Film itself, both slide and print, was made scarce by digital photography. Slide film remains available as a professional and enthusiast product, and is available from camera stores and through mail order.
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