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Elsie de Wolfe, photograph from The House in Good Taste, 1913. According to The New Yorker, "Interior design as a profession was invented by Elsie de Wolfe". [3] [4] She was certainly the most famous name in the field until the 1930s, but the profession of interior decorator/designer was recognized as a promising one as early as 1900, [5] five years before she received her first official ...
The book is considered a seminal work, and its success led to the emergence of professional decorators working in the manner advocated by its authors, most notably Elsie de Wolfe. [19] Elsie de Wolfe, taken from The House in Good Taste, 1913. Elsie De Wolfe was one of the first interior designers. Rejecting the Victorian style she grew up with ...
Her Delineator articles under the byline of the interior decorator Elsie de Wolfe formed the basis of de Wolfe's decorating manual The House in Good Taste, for which Goodnow also was the ghostwriter. She also ghostwrote de Wolfe's Ladies Home Journal articles, which later were adapted for The House in Good Taste and continued to contribute ...
Along with enthralling photos of the historic property, the book is filled with clever design tips, life reflections, and a healthy sprinkling of Elsie de Wolfe quotes—all of which are sure to ...
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The interiors, which exist largely unchanged, were created by Elsie de Wolfe – later to become Lady Mendl – a former actress who had recently opened an interior-design business, and whose companion, the theatrical agent Elisabeth Marbury, was one of the club's founders.
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
Schmidt, a one-time apprentice of Elsie de Wolfe, contributed to the design of the interior decor, such as the furniture, curtains, and elevator doors. Vincente Minnelli who would later become a film director, was assigned to help Schmidt select the colors of the walls.