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Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The Lorne Jewels, part of the Secondary Honours of Scotland, were gifted to the nation in the 1930s by Princess Louise, Duchess of Argyle. The jewels consist of a single necklace with a pendant and a locket that was made in London in the 1870s and was a gift from the 9th Duke of Argyll to his soon-to-be wife. It consists of a chain made of ...
The Jewels of the Order of St Patrick, commonly called the Irish Crown Jewels, were the heavily jewelled badge and star created in 1831 for the Grand Master of the Order of St Patrick, an order of knighthood established in 1783 by George III to be an Irish equivalent of the English Order of the Garter and the Scottish Order of the Thistle.
The Coggalbeg hoard is an Early Bronze Age hoard of three pieces of Irish gold jewellery dating to 2300–2000 BC. [1] It is now in the National Museum of Ireland – Archaeology in Dublin, where it is normally on display.
The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France [citation needed] and Great Britain in the Early Middle Ages [citation needed]. A type of ringed cross , it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish ...
Traditionally made by Jewish silversmiths, some are plain and large brooches, not unlike some later Celtic or Viking examples, [70] and other types have a very elaborately decorated triangular base to the pin, which can dwarf the ring. A heavy necklace often hangs between the two brooches, usually attached to a ring at the bottom of the brooch ...
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