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Octavio Solis (born 1958) is an American playwright and director [1] whose plays have been produced at theaters and small companies across the United States. He has written over 25 plays, including his most famous works: Lydia, Santos & Santos and Man of the Flesh.
Mother Play – A Play in Five Evictions is a dramatic stage play written by American playwright Paula Vogel. The play debuted on Broadway at the Hayes Theater on April 25, 2024 as part of Second Stage Theater 's 2023–2024 season starring Jessica Lange , Celia Keenan-Bolger , and Jim Parsons .
Manfred Wekwerth and Gisela May during rehearsals of Mother Courage and Her Children (1978). Mother Courage and Her Children (German: Mutter Courage und ihre Kinder) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. [1]
Eight years after her last visit to Broadway, Tony Award winner Jessica Lange returns to the stage in “Mother Play,” a true story about a dysfunctional family with themes of love, loss ...
Dec. 18—"All Is Calm: The Christmas Truce of 1914" puts a human face on war. Reemerging from the pandemic, Mother Road Theatre Company will perform the play on multiple nights in both ...
My Mother Said I Never Should is a play in three acts written by Charlotte Keatley and first staged in Manchester in 1987. The play is about the relationships between mothers and daughters and explores the themes of independence, growing up and secrets. It addresses the issues of teenage pregnancy, career prioritization, and single motherhood.
Road is the first play written by Jim Cartwright, and was first produced in 1986 at the Royal Court Theatre Upstairs, directed by Simon Curtis. [1]The play explores the lives of the people in a deprived, working class area of Lancashire during the government of Margaret Thatcher, a time of high unemployment in the north of England.
East Lynne has been adapted for the stage many times; the play was so popular that stock companies performed the play whenever they needed guaranteed revenue. [3] It became so common that theatres stuck with a badly received play would assuage audiences with the hopeful promise, "Next week, East Lynne !", which eventually became a catchphrase ...