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Illustration of Emerson's transparent eyeball metaphor in "Nature" by Christopher Pearse Cranch, ca. 1836-1838. Emerson uses spirituality as a major theme in the essay. Emerson believed in re-imagining the divine as something large and visible, which he referred to as nature; such an idea is known as transcendentalism, in which one perceives a new God and a new body, and becomes one with his ...
Nature is an inherent character or constitution, [1] particularly of the ecosphere or the universe as a whole. In this general sense nature refers to the laws, ...
The Colors of Nature: Culture, Identity, and the Natural World is a 2011 book edited by Alison H. Deming and Lauret E. Savoy. The book is a collection of essays from authors representing diverse backgrounds, including Japanese American, Mestizo, African American, Hawaiian, Arab American, Chicano and Native American. [1]
The sounds of nature can influence your mental well-being too. Make it social. Plan a regular outdoor gathering with a few friends. Take turns choosing the locale. Or, if you’re looking to ...
It is the common understanding of natural environment that underlies environmentalism — a broad political, social and philosophical movement that advocates various actions and policies in the interest of protecting what nature remains in the natural environment, or restoring or expanding the role of nature in this environment.
This books concentrates on the origins of American nature writing. Trimble, Stephen, "Words From the Land: Encounters with Natural History Writing". Reno: University of Nevada Press, 1995 (revised edition). ISBN 978-0874172645. This book is a representative collection of essays which goes over the contemporary part of nature writing.
The first issue of Nature, in which the essay is incorrectly attributed to Goethe "Nature" (German: Die Natur) is an essay by Georg Christoph Tobler which is often incorrectly attributed to Johann Wolfgang von Goethe. It was first published in 1783 in the Tiefurt Journal. [1] Tobler wrote the essay after repeated conversations with Goethe. [1]
Themes of the essays include the beauty of nature, the transience and impermanence of life, traditions, friendship, and other abstract concepts. The work was written in the zuihitsu ("follow-the-brush") style, a type of stream-of-consciousness writing that allowed the writer's brush to skip from one topic to the next, led only by the direction ...