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A bamboo replica of the Eiffel Tower at the Jaro Plaza in Jaro, Iloilo City, Philippines, was constructed to commemorate the inauguration of the original Eiffel Tower during the 1889 Paris Exposition 10°43′29.0172″N 122°33′24.6168″E / 10.724727000°N 122.556838000°E / 10.724727000; 122.556838000
The Eiffel Tower (/ ˈ aɪ f əl / ⓘ EYE-fəl; French: Tour Eiffel [tuʁ ɛfɛl] ⓘ) is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel , whose company designed and built the tower from 1887 to 1889.
Sur les traces des expositions universelles : Paris, 1855–1937 : à la recherche des pavillons et des monuments oubliés. Paris: Parigramme. ISBN 978-28409-6444-5. Jonnes, Jill, Eiffel's Tower (2013), Penguin Putnam ISBN 978-01431-1729-2. Musée d'Orsay (1989). 1889 : la Tour Eiffel et l'Exposition universelle (in French). Paris: Editions de ...
In 2020, less than 1.6 million people visited the Eiffel Tower, compared to nearly 6.2 million visitors the year before, the monument’s operating company Sociéte d’Exploitation de la tour ...
The Paris region has four of the tallest twenty-five buildings in the European Union: the tour Link, the Tour First, the Tour Hekla, and the Tour Montparnasse. As of 2022, there are 23 skyscrapers that reach a roof height of at least 150 metres (490 ft).
The engraving was painted over at the beginning of the 20th century and restored in 1986–87 by Société Nouvelle d'exploitation de la Tour Eiffel, the company that the city of Paris contracts to operate the Tower. The repainting of 2010–11 restored the letters to their original gold colour.
The Decauville railway at Exposition Universelle (1889) (French Le chemin de fer intérieur de l'Exposition) was a 3 km (1.9 mi) long 600 mm (1 ft 11 + 5 ⁄ 8 in) gauge railway line, which operated during the Exposition Universelle world fair from 6 May to 31 October 1889 from Esplanade des Invalides to Avenue de Suffren in Paris.
The Eiffel Tower and Other Mythologies is a collection of essays by the French literary theorist Roland Barthes. [1] It is a companion volume to his earlier book, Mythologies, and follows the same format of a series of short essays which explore a range of cultural phenomena, from the Tour de France to laundry detergents.
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