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Rhetoric. Contrastive rhetoric is the study of how a person's first language and his or her culture influence writing in a second language or how a common language is used among different cultures. The term was first coined by the American applied linguist Robert Kaplan in 1966 to denote eclecticism and subsequent growth of collective knowledge ...
List of narrative techniques. A narrative technique (also, in fiction, a fictional device) is any of several storytelling methods the creator of a narrative uses, [1] thus effectively relaying information to the audience or making the narrative more complete, complex, or engaging. Some scholars also call such a technique a narrative mode ...
For example, in many varieties of American English, the phoneme /t/ in a word like wet can surface either as an unreleased stop [t̚] or as a flap [ɾ], depending on environment: [wɛt] wet vs. [ˈwɛɾɚ] wetter. (In both cases, however, the underlying representation of the morpheme wet is the same: its phonemic form /wɛt/.)
In literature, an author uses contrast when they describe the difference (s) between two or more entities. According to the Oxford Dictionary, contrast is comparing two things in order to show the differences between them. It is common in many works of Literature. For example, in The Pearl by John Steinbeck, a clear contrast is drawn between ...
Tacit knowledge or implicit knowledge —as opposed to formalized, codified or explicit knowledge —is knowledge that is difficult to express or extract; therefore it is more difficult to transfer to others by means of writing it down or verbalizing it. This can include motor skills, personal wisdom, experience, insight, and intuition.
Chiasmus. In rhetoric, chiasmus (/ kaɪˈæzməs / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ "), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". [1]
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1] It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
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