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Stereo 31-band 1/3-octave graphic equalizer for use in sound reinforcement applications. In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band. The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency ...
These changes increased the headroom of the amp and brought it more inline with the non-reverb versions. This was complemented by the added functionality of a master volume and a push/pull boost. Some later Bandmaster Reverbs also added a 3-band EQ on the Normal channel and a bright switch but this was uncommon across all models.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products. Scholz is an MIT-trained engineer who developed many of his skills as a product design engineer working on audio-production equipment at Polaroid in the early 1970s.
Modern systems have far wider potential bandwidth. An essential feature of all cutting amplifiers—including the Neumann cutting amplifiers—is a forcibly imposed high frequency roll-off above the audio band (>20 kHz). This implies two or more additional time constants to those defined by the RIAA curve.
George Y. Massenburg (born Baltimore, Maryland c. 1947) is a Grammy award-winning recording engineer and inventor.Working principally in Baltimore, Los Angeles, Nashville, and Macon, Georgia, Massenburg is widely known for submitting a paper to the Audio Engineering Society in 1972 regarding the parametric equalizer.
In approximately 1967, an engineer attending Princeton University named Bob Meushaw, a friend of Massenburg, built a three-band, frequency adjustable, fixed-Q, IC op-amp-based EQ based on passive 2 resistor/2 capacitor or 3 resistor/3 capacitor “T” filters (a design that was primarily from a 1940s Bell Labs filter handbook). Meushaw’s ...
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
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