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The Distant Hours is the third novel by Australian author Kate Morton. [1] The hardback edition was published in the United Kingdom by Pan Macmillan in November 2010, the paperback was published in 2011. The Distant Hours was a Sunday Times Top Ten Bestseller in hardback. [citation needed]
Commonly, distant reading is performed at scale, using a large collection of texts. However, some scholars have adopted the principles of distant reading in the analysis of a small number of texts or an individual text. [6] Distant reading often shares with the Annales school a focus on the analysis of long-term histories and trends.
Carys Davies, for The Guardian, referred to the novel as a "thrilling narrative, full of twists and turns". [2] Catherine Taylor, for the Financial Times, praised In the Distance as an "extraordinary epic tale". [5] The novel was a finalist for the PEN/Faulkner Award for Fiction [1] [6] and the Pulitzer Prize. [7]
The Hours, a 1998 novel by the American writer Michael Cunningham, is a tribute to Virginia Woolf's 1923 work Mrs Dalloway.Cunningham emulates elements of Woolf's writing style while revisiting some of her themes in different settings.
The story of Ethan Frome had initially begun as a French-language composition that Wharton had to write while studying the language in Paris, [2] but several years later she took the story up again and transformed it into the novel it now is, basing her sense of New England culture and place on her ten years of living at The Mount, her home in Lenox, Massachusetts.
Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events.Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.
The Man from Mars (1946) – short novel, originally published in a magazine serial form. In 2009 for the first time a long excerpt from Chapter 1 was translated into English by Peter Swirski and published, with permission of Lem's family, in the online literary magazine Words Without Borders.
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.