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Despite similar titles, the two songs differ in lyrical themes. While Parton's song is about a working woman, Easton's song is about a woman waiting at home for her lover to return from work. Rolling Stone called "9 to 5" Parton's "most transformative song", ranking it at number 7 on its list of the 50 Best Dolly Parton songs. [2]
9 to 5 and Odd Jobs is a solo studio album by American entertainer Dolly Parton.It was released on November 17, 1980, by RCA Records.A concept album about working, the album was centered on Parton's hit "9 to 5", which served as the theme song to the film of the same name (co-starring Parton, Jane Fonda and Lily Tomlin) and its soundtrack, and topped both the U.S. country and pop charts.
9 to 5 (titled Nine to Five in the opening credits) is a 1980 American comedy film directed by Colin Higgins, who wrote the screenplay with Patricia Resnick, and starring Jane Fonda, Lily Tomlin, Dolly Parton, Dabney Coleman, Elizabeth Wilson, and Sterling Hayden. It tells the story of three working women who live out their fantasies of getting ...
US work culture revolves around employees putting in eight hours a day, five days a week — a schedule immortalized by Dolly Parton in her 1980 song “9 to 5.” It’s just the norm, many ...
Reflections on a 1980 comedy that, well, paints a pretty clear picture of current day. The good ole days—er, well. Getty Back in 1980, there was a comedy film about working women called Working ...
9 to 5: The Musical is a musical based on the 1980 film of the same name, with music and lyrics by Dolly Parton. It features a book by Patricia Resnick, based on the screenplay by Resnick and Colin Higgins. The musical premiered in Los Angeles in September 2008, and opened on Broadway in April 2009.
3) The structure of working for a company which allows for 9 to 5's may be holding you back from your creative potential. Photo: Getty 4) There is often little to no flexibility.
Working is a musical with a book by Stephen Schwartz and Nina Faso, music by Schwartz, Craig Carnelia, Micki Grant, Mary Rodgers, and James Taylor, and lyrics by Schwartz, Carnelia, Grant, Taylor, and Susan Birkenhead.