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Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth: Apple Chancery Designer: Kris Holmes: Brush Script Designer: Robert E. Smith : Cézanne Designer: Michael Want, Richard Kegler: Coronet Designer: R. Hunter Middleton: Declaration Script: Declare ...
Bookman, or Bookman Old Style, is a serif typeface.A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text.
Cursive is an example of a casual script. Caflisch Script is an example of a casual script. Script typefaces are based on the varied and often fluid stroke created by handwriting. [1] [2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
A comparison of Linotype Palatino, Monotype Book Antiqua, and Unternehmensberatung Rubow Weber (URW) Palladio L. Book Antiqua, a typeface designed by Hermann Zapf, a variant of the Palatino typeface. (In this case, "Antiqua" is another word for the "Roman" style of typefaces that Palatino is based on, as opposed to blackletter. [18])
Freestyle Script is an informal display script typeface that was designed by Colin Brignall in 1969 and Martin Wait in 1981, by Letraset. Freestyle Script is famously used for commercials in 1980s, birthday cards, decorative, logos and many others. The bold version was designed in 1986.
Kennerley Old Style is a serif typeface designed by Frederic Goudy. [2] Kennerley is a Venetian " old-style " serif design, with an organic structure loosely influenced by Italian and Dutch printing traditions of the Renaissance and early modern period and low stroke contrast giving a feeling of roundness and softness. [ 3 ]
Venice (1984, Bill Atkinson), bitmap script inspired by chancery cursive. Never converted to TrueType format. Los Angeles (1984, Susan Kare), bitmap casual script font. Never converted to TrueType format. Apple Casual (1993, used on Apple Newton) Apple Chancery (1993, Kris Holmes), a test-bed for contextual alternates in font programming. Still ...