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A Horse with No Name; Horses in My Dreams; I. I Got the Hoss; J. La Jument de Michao; L. The Lion and the Unicorn; M. Movie Magg; My Lovely Horse; N. New Pony; O. The ...
"The Horse" is an instrumental song by Cliff Nobles and Company. It was released as the B-side of the single "Love Is All Right" and is simply an instrumental version of that song. Background
"Horse Outside" is a song by Irish comedy group The Rubberbandits. It was released on 8 December 2010, [1] after its accompanying music video was aired on RTÉ Television programme Republic of Telly. The video gained almost 2.5 million views in ten days on YouTube [2] and by November 2023 over 22 million views.
Freestyle to Music (from German kür, "freestyle"), originated in 1980 as a form of dressage competition in which movements are performed to music. [ 1 ] [ 2 ] Musical freestyle dressage entertains and appeals to both devotees of the sport and the general public, and has increased the popularity of dressage.
"Wild Horses" is a song co-written by Bill Shore and David Wills, recorded by American country music artist Garth Brooks on his breakthrough album No Fences in 1990. The song was not released as a single until November 2000, when it was released with a re-recorded vocal track. [1] It peaked at #7 on the Billboard Hot Country Singles & Tracks chart
An entire 1993 episode of Animaniacs, "Toy Shop Terror", was set to Warner Bros. music director Richard Stone's arrangement of the composition. "Powerhouse" also served as bumper theme music for Cartoon Network from 1998 to 2003, [9] and can be heard as a systematic rock theme in the 2003 feature film Looney Tunes: Back in Action.
"Runaway Horses" is a song by American singer Belinda Carlisle. It was released as the fourth single (fifth in Japan) from her third album, Runaway Horses (1989), in February 1990. "Runaway Horses" reached the top 50 in Australia and the United Kingdom. The music video was directed by Greg Masuak. [1]
Horse of a Different Color is a 1999 album by Willy DeVille. The album consists of original compositions and remakes of traditional Black music titles such as Fred McDowell's “Going over the Hill,” and Andre Williams' "Bacon Fat." The album was recorded at Ardent Studios in Memphis.
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