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Horse and Train was inspired by both J. M. W. Turner's 1844 painting Rain, Steam and Speed – The Great Western Railway, [1] as well as a couplet excerpt from South African poet Roy Campbell's 1949 poem: Against a regiment I oppose a brain And a dark horse against an armoured train. —
John Frederick Herring Sr. (12 September 1795 – 23 September 1865), [1] also known as John Frederick Herring I, was a painter, sign maker and coachman in Victorian England. [2] [3] He painted the 1848 "Pharoah's Chariot Horses" (archaic spelling "Pharoah").
Little was known of Troye's work in the eastern United States until 1912. Since then, more than 300 of his paintings have been found, of which three-fourths have been photographed since 1912. In addition, he is the author of The Race Horses of America (1867). [2] Troye is buried in Georgetown Cemetery with his wife and grandson, Clarence D ...
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
Richard Stone Reeves (November 6, 1919 – October 7, 2005) was an American equine painter whom Blood-Horse magazine described as perhaps the greatest modern-day horse painter. [1] Born in New York City, Reeves grew up in Garden City on Long Island. His father's family included a painter and his mother's owned race horses.
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. [1] [2] This painting is one of four depictions of the same subject that Manet created over four years. [3]
Art historian Andrew Graham Dixon describes the subject as a "little boy on this plump horse, underneath a lowering sky full of dark clouds. The child looks lost." The child looks lost." [ 1 ] According to Simona Di Nepi, the young prince's calm demeanor while seated on a rearing horse has a political significance, representing him as a ...
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]