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Harlequin wore a very small hat, the mask was sometimes swapped out for a face-painted diamond, and the costume pattern became entirely made up of diamonds with a small bow or collar. [ 2 ] [ 3 ] Brighella wore a servant's suit of rough off-white fabric, trimmed with green on the sides of his pants and down the front of his long shirt.
Brighella, from the 16th century. Brighella (Bergamasque dialect: Brighèla) is a comic, masked character from the Italian theatre style commedia dell'arte.His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a batocio (also batacchio or battacio, depending on region) or slapstick, or else with a wooden sword.
Eduardo De Filippo as Pulcinella, a character from the commedia dell'arte Commedia dell'arte troupe I Gelosi performing, by Hieronymus Francken I, c. 1590. Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries.
Zanni (Italian:), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker". [1] [Note 1] Through time, the Zanni grew to be a popular figure who was first seen in commedia as early as the 14th century. [2]
The costumes of the lovers were the fashion of the day, and the extravagance of the lovers costumes often represented the status of the commedia dell'arte company. [5] The lovers never wear the masks, which is characteristic of most of the other stock characters in the commedia dell'arte.
Unlike the majority of half masks in commedia dell'arte, il Dottore's mask is unique in that it is a one-third mask; the mask itself is meant to be a parody of a Bolognese jurisconsult. [14] [16] The actor's cheeks may sometimes have rouge applied to imply that il Dottore is fond of drinking. [16]
Harlequin on the Moon: Commedia dell'Arte and the Visual Arts. Harry N. Abrams, Inc. Rudlin, John (1994). Commedia dell'Arte: An Actor's Handbook. Routledge. p. 120. A crocodile who never bits, he is all fanfare easily deflated.
He usually represents the lower working class, but at times the middle or upper class in the commedia dell'arte. Tartaglia comes from the southern, or Neapolitan, quartet of masks, along with Coviello, Scaramouche, and Pulcinella. In France, this mask did not become popular. The Tartaglia mask appeared in Naples around 1610.
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