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Offshoot font families of the Thesis font superfamily include TheAntiqua, [4] Nebulae, [5] and JesusLovesYouAll. [6] [7] TheAntiqua is a variant based on TheSerif. It included fonts in 7 weights and 1 width, with complementary italic fonts. OpenType feature includes small caps (roman only). TheAntiqua won an award in 1999 from Type Directors Club.
A reverse-contrast or reverse-stress letterform is a typeface or custom lettering where the stress is reversed from the norm, meaning that the horizontal lines are the thickest. This is the reverse of the vertical lines being the same width or thicker than horizontals, which is normal in Latin-alphabet writing and especially printing.
7 Font style. 8 Font color. 9 ... reduced-size }} font. ... the ubiquitous use of an italic serif font for most (but not all) single-letter symbols makes it a huge ...
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.
Lucas de Groot (Dutch pronunciation: [ˈlykɑz də ˈɣroːt]; born 21 June 1963), known professionally as Luc(as) de Groot, is a Dutch type designer. [2] He is the head of the type foundry Fontfabrik, also trading as LucasFonts.
Microsoft Word, for instance, suggests every even size between 8 and 28 points and, additionally, 9, 11, 36, 48 and 72 points (the font sizes 36, 48 and 72 equal 3, 4 and 6 picas respectively). While most software nowadays defaults to DTP points, many allow specifying font size in other units of measure (e.g., inches, millimeters, pixels ...
An example of regular (top) and reversing (bottom) text. Reversing type (also reversing, knocking-out, reversed type) is a method of typographic printing with black or colored inks, in which the entire surface is printed, except for text elements. [1]
It features a large x-height (tall lower-case letters), and its thin strokes are thicker than would be common on a typeface designed for display use or the greater sharpness possible in print. [6] [7] Its reduced contrast and thickened serifs make it somewhat resemble Clarendon designs from the 19th century. The glyphs were manually hinted. [8]
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