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First number of El Mercurio de Valparaíso, dated 12 September 1827. El Mercurio de Valparaíso (Spanish pronunciation: [el meɾˈkuɾjo ðe βalpaɾaˈiso]) is the oldest continuously circulating periodical, published under the same name, in the Spanish language. It was founded on September 12, 1827. It is based in Valparaíso, Chile.
The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]
It was one of the first paintings by van Gogh to enter a public collection. It was photographed in color in the 1930s, an uncommon and costly practice at the time. [5] [4] During World War II, the collection of the Kaiser-Friedrich Museum was transported to a salt mine in the nearby town of Stassfurt, in order to protect it from Allied bombing ...
The work measures 34.5 by 51 centimetres (13.6 in × 20.1 in). It was catalogued as "F4" in Jacob Baart de la Faille's 1928 The Works of Vincent van Gogh and as "JH187" in Jan Hulsker's 1978 The Complete Van Gogh. The painting was stored at the Van Gogh family house in Breda. Along with many early other works, it was left behind in the attic ...
"Puedes Contar Conmigo" (Spanish pronunciation: [ˈpweðes konˈtaɾ komˈmiɣo]; "You Can Count On Me") is a song written by Amaia Montero and performed by La Oreja de Van Gogh. It was released in April, 2003, as the first single from their third studio album Lo Que Te Conté Mientras Te Hacías La Dormida .
A las cinco en el Astoria is the first album to feature Leire Martínez as the lead singer, replacing Amaia Montero, who had left in 2007. The first song released was "El Último Vals". The single was produced by Nigel Walker and La Oreja de Van Gogh. All songs are composed by the current members of the band. [2]
"Inmortal" is the second single from the fifth studio album A las cinco en el Astoria by the Spanish pop/rock group La Oreja de Van Gogh. [1] It was confirmed to be the second single by the group on 16 October. It was officially released on early November.
In May 1889 Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence. [2] [3] There Van Gogh had access to an adjacent cell he used as his studio. He was initially confined to the immediate asylum grounds and painted the world he saw from his room, such as ivy covered trees, lilacs, and irises of the garden.