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Home recording is the practice of recording sound in a private home instead of a professional recording studio. A studio set up for home recording is called a home studio or project studio . Home recording is widely practiced by voice actors, narrators, singers, musicians, podcast hosts, and documentary makers at all levels of success.
TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California.TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio, the first cassette-based multi-track home studio recorders.
In 1950, Quinn moved the studio into the first floor of his family home at 5628 Brock Street, just a few blocks from the original studio. He changed the name of the studio to Gold Star Studios. Around this time, the U.S. Government fined Gold Star Records $26,000 for unpaid excise taxes related to the sale of phonograph records on the Gold Star ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Keith Skues (born 1939): 250,000 items, mostly vinyl records kept at his home. [9] Larry Woodlee: 250,000 items, primarily vinyl records, of which 50,000 were sold to McKay's, a second-hand shop in Nashville. [10] [11] Armand Panigel (1920–1995): over 200,000 items of classical music, hosted at Studios La Fabrique. [12] [13]
Studer is a designer and manufacturer of professional audio equipment for recording studios and broadcasters. The company was founded in Zürich, Switzerland, in 1948 by Willi Studer. It initially became known in the 1950s for its professional tape recorders. In the 1990s the company moved into the manufacture of mixing consoles.
A 1980s home studio with a reel-to-reel tape recorder. Although there was some early bedroom production before the 1990s using hardware instruments and recording to tape, the rise of bedroom production is more often closely related to an increase in computing power and decrease in the cost of music technologies which allowed for DAWs to become more accessible towards the end of the 20th century.
Revox was adopted as the brand name for amateur recorders, while the professional machines retained the Studer name. [1] The first Revox-branded tape recorder was the T26, in 1952, successor to the Dynavox 100. The T26 was also made available as a radio-recorder combination unit. 2500 T26 recorders were made, priced at 1395.00 Swiss francs. [1]
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