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Yearwood was born in Trinidad to Edward Yearwood, a well-known composer and mother Mairoon Ali, a Trinidadian actress, radio personality and teacher.He established himself as a Soca talent early on when he entered and won multiple talent shows while still in his teens, including the national Junior Calypso Monarch competition. [1]
It should only contain pages that are Technotronic songs or lists of Technotronic songs, as well as subcategories containing those things (themselves set categories). Topics about Technotronic songs in general should be placed in relevant topic categories .
A calypso artist born in Trinidad, Lord Shorty decided to infuse the rhythms of East India with that of West Africa. That music became soca which, as opposed to the socially-conscious calypso was ...
Timothy Watkins, better known by his stage name Baron, is a Trinidadian singer and songwriter. He is known for many soca/calypso songs from the 80s, such as "Sweet Soca Man", "Doh Rock It So" and "Melosian Rhapsody" as well as the 2009 hit "Spanish Woman".
Hypasounds’ 2006 release Sunshine Girl emerged as a season favourite, burning up the airwaves and was nominated for Best Ragga-Soca Single Male at Barbados Music awards. [2] The ragga-soca track which is dedicated to the fairer sex debuted at the number 4 position on Hott 95.3 FM’s Hott in the Crop charts.
Babatunde Olatunji, second from right, at the Tal Vadya Utsav International Drums & Percussion Festival, Siri Fort Auditorium, New Delhi, 1985. Michael Babatunde Olatunji (April 7, 1927 – April 6, 2003) was a Nigerian drummer, educator, social activist, and recording artist. [1]
Dyo grew up in East Ham, East London.Her mother was born in the United Kingdom, and her father was born in Lagos, Nigeria. [1]Having started to sing at the age of 4, at age 10 she started to take part in talent shows, competitions and performing in school assemblies.
The Olatunji Concert suffers from poor recording quality. According to author Tony Whyton, "Coltrane had employed engineer Bernard Drayton at short notice to record the concert outside of Coltrane's contractual obligations with Impulse records, so the question remains as to whether this recording was to be used for general release or as a simple documentation of a live performance event."