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In Botswana, the fabric is also traditionally associated with brides and married women, but has recently moved into much wider popularity. [19] [20] Aside from traditional wear, shweshwe is used in contemporary South African fashion design for women and men from all ethnic groups, [5] [9] [12] as well as for making accessories and upholstery. [21]
Barkcloth or bark cloth is a versatile material that was once common in Asia, Africa, and the Pacific. Barkcloth comes primarily from trees of the family Moraceae, including Broussonetia papyrifera, Artocarpus altilis, Artocarpus tamaran, and Ficus natalensis. It is made by beating sodden strips of the fibrous inner bark of these trees into ...
Kuba raffia: The Kuba of Central Africa have one of the widest range of textile skills in Africa including weaving cloth from leaves of raffia palm as well as embroidery, applique, cut-pile and resist dyeing techniques. The Kuba kingdom's need for traditional textiles for ceremonies has sustained their traditional cloth and weaving techniques ...
African waxprints, West Africa Waxprints sold in a shop in West Africa Lady selling colourful waxprint fabrics in Togo "Afrika im Gewand - Textile Kreationen in bunter Vielfalt", African Textiles Exhibition Museum der Völker 2016. African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa.
Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word also refers to the materials used to upholster something. Upholstery comes from the Middle English word upholder, [1] which referred to an artisan who makes fabric furnishings. [2]
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The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
ASTM D 6544 specifies simulating the life cycle of a fabric so that a UPF test can be done near the end of the fabric's life, when it typically provides the least UV protection. ASTM D 6603 is a consumer format recommended for visible hangtag and care labeling of sun protective clothing and textiles.
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