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Suite No. 2, Op. 17, is a composition for two pianos by Sergei Rachmaninoff, written in Italy in the first months of 1901. Alongside his Second Piano Concerto, Op. 18 , it confirmed a return of creativity for the composer after four unproductive years caused by the negative critical reception of his First Symphony, Op. 13 .
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.
The Piano form of the symphony was published, in fact being the only symphony part of Vanjura's Trois Sinfonies Nationales to be published during the composer's lifetime. From this, the orchestration was done by Mykhailo Verykivsky , however Margarita Pavlovna Prâšnikova rediscovered the original score of all 3.
This symphony is luxuriantly and brilliantly orchestrated. The composer's palette is expansive, but it is expertly deployed. The composer's inclusion of an instrument into the fabric of the piece is to exploit the subtle musical ambience that the instrument provides, and in this manner we are treated to a remarkable rainbow of mood and nuance throughout the piece.
The conductor Sir Thomas Beecham made several orchestral suites from neglected music by George Frideric Handel, mostly from the composer's 42 surviving operas.The best known of the suites are The Gods Go a'Begging (1928), The Origin of Design (1932), The Faithful Shepherd (1940), Amaryllis (1944) and The Great Elopement (1945, later expanded as Love in Bath, 1956).
The Symphony No. 2 in E minor, Op. 27, is a four-movement composition for orchestra written from October 1906 to April 1907 by the Russian composer Sergei Rachmaninoff. The premiere was performed at the Mariinsky Theatre in Saint Petersburg on 26 January 1908, with the composer conducting.
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