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The whole album, Songs for Swining Larvae, is inspired by insects. [9] There Ain't No Bugs On Me: Insects-general (Traditional folk song) (Traditional folk song) Unknown: Folk: There is a popular recording of this song by Jerry Garcia and David Grisman on the album, Not for Kids Only. Dog and Butterfly: Lepidoptera: Ann Wilson N/ancy Wilson ...
The song's title served as the inspiration for the name of the band's publishing company Night Garden Music. According to lead singer Michael Stipe : "[Some people think the lyrics] are about my father, some people think they're about drugs, and some people think they're about gardening at night.
Gonna make this garden grow All it takes is a rake and hoe And a piece of fertile ground. Mallett walked around the yard humming it. The next day, he wrote the second verse at a friend’s house. Being only the third or fourth song he'd written, Mallett regarded "Garden Song" as a gift, one that altered the course of his life. [3]
A Big-headed Ground Beetle with a mealworm, which it would later eat. They're willing to eat a variety of invertebrates. Scarites subterraneus , known generally as the big-headed ground beetle or (tunneling large) pedunculate ground beetle , is a species of ground beetle in the family Carabidae .
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In the UK, 30 songs were released as non-album singles, while appearing on numerous albums in the US. Since the remastering of the band's catalogue on CDs in the 1980s, the Beatles have a primary "core catalogue" of 14 albums: [44] Please Please Me (1963) With the Beatles (1963) A Hard Day's Night (1964) Beatles for Sale (1964) Help! (1965 ...
"Helter Skelter" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as the "White Album"). It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible.
A folk rock ballad, [2] "Garden Song" was produced by Bridgers herself alongside Tony Berg and Ethan Gruska. [1] The song features a "wave of shimmery synths" and "delicate, crushing vocals", with its lyrics depicting "a scene from a fairytale, one that includes a house resting on a hill with thousands of roses (and probably a few ghosts)". [3]