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Printers used a single piece of paper known as a broadside, hence the name broadside ballads. [3] It was common for ballads to have crude woodcuts at the top of a broadside. [3] Historians Fumerton and Gerrini show just how popular broadsides had been in early modern England: the ballads printed numbered in the millions. [4]
The Faerie Queene (Early Modern English) by Edmund Spenser (1596) Venus and Adonis (1593) and Lucrece (1594) (Early Modern English) by Shakespeare; The Dam San of the Ede people (now in Vietnam) is often considered to appear in the 16th or 17th century. [8] [9]
Minstrelsy of the Scottish Border is an anthology of Border ballads, together with some from north-east Scotland and a few modern literary ballads, edited by Walter Scott. It was first published by Archibald Constable in Edinburgh in 1802, but was expanded in several later editions, reaching its final state in 1830, two years before Scott's death.
Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
All ballads are archived in Facsimile Transcriptions, in which the original blocks of text from the Ballad Facsimile have been replaced with blocks of text from the modern transcription, resulting in an image that preserves the visual experience of the original ballad, including woodcut impression illustrations, yet is easily readable by a ...
The story as told in the ballad has multiple versions, but they all follow the same basic plot. The King of Scotland has called for the greatest sailor in the land to command a ship for a royal errand. The name "Sir Patrick Spens" is mentioned by a courtier, and the king despatches a letter.
It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. [1] [2] This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
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