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A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
Aesop's Fables (1912), illustrated by Arthur Rackham. "The Town Mouse and the Country Mouse" is one of Aesop's Fables. It is number 352 in the Perry Index and type 112 in Aarne–Thompson's folk tale index. [1] [2] Like several other elements in Aesop's fables, "town mouse and country mouse" has become an English idiom.
Settings of the Aesop version have been much rarer. It was among Mabel Wood Hill's Aesop's Fables Interpreted Through Music (New York, 1920). [68] It was also included among David Edgar Walther's 'short operatic dramas' in 2009. In 2010 Lefteris Kordis set the Greek text as the second fable in his "Aesop Project" for octet and voice. [69]
The fable was also included in Edward Hughes' Songs from Aesop's fables for children's voices and piano (1965), as the second of Anthony Plog's set for narrator, piano and horn (1989/93) [18] and among the fables set by Yvonne Gillespie for narrator and full orchestra (2001).
The Dog and Its Reflection (or Shadow in later translations) is one of Aesop's Fables and is numbered 133 in the Perry Index. [1] The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish substance for shadow.
Francis Barlow's illustration of the fable, 1687. The Boy Who Cried Wolf is one of Aesop's Fables, numbered 210 in the Perry Index. [1] From it is derived the English idiom "to cry wolf", defined as "to give a false alarm" in Brewer's Dictionary of Phrase and Fable [2] and glossed by the Oxford English Dictionary as meaning to make false claims, with the result that subsequent true claims are ...
There have also been several verbal settings of Aesop's fable: By W. Langton Williams (c. 1832–1896) in his Aesop's Fables, versified & arranged for the piano forte (London, 1890) [34] In Aesop's Fables Interpreted Through Music for voice and piano (New York, 1920) by Mabel Wood Hill (1870–1954). In this the moral stated is that "Plodding ...
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