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Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician [1] best known as a pioneer of the minimalist school of composition. [2] Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. [2]
Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses , steady drones , consonant harmony , and reiteration of musical phrases or smaller units.
Lowercase is an extreme form of ambient [1] [2] minimalism in which very quiet sounds are amplified to extreme levels. Minimal artist Steve Roden popularized the movement with an album entitled Forms of Paper, in which he made recordings of himself handling paper in various ways.
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Erik Satie, seen as a precursor of minimalism as in much of his music. For example, his score for Francis Picabia 's 1924 film Entr'acte consists of phrases, many borrowed from bawdy popular songs, ordered seemingly arbitrarily and repetitiously, providing a rhythmic counterpoint to the film.
Drone music forms a part of the movement referred to as minimal music. [5] Pitchfork Media and Allmusic journalist Mark Richardson defined it thus: [18] The vanishing-point music created by drone elders Phill Niblock and, especially, La Monte Young is what happens when a fixation on held tones reaches a tipping point.
Stephen Michael Reich (/ r aɪ ʃ / RYSHE; [1] [2] born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. [3] [4] [5] Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by ...
Minimal techno is a subgenre of techno music. [1] It is characterized by a stripped-down [ 2 ] aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit -based producers Robert Hood and Daniel Bell .